
TEMPORARILY CLOSED
The not so distant past of JR's Thumbprints.
Bob bobs bobberlike in the Bainesburg Community High School pool; his blood pressure cuff water wings clamped on flabby biceps, afloat; his fine filament hair on his bobblelike bobblehead reaching across goggled eyes like evil black fingers. Bob, for lack of a buoyant explanation, struggles slowly, shortening his distance to the pools inner trough. Is he quitting? Upon closer inspection one can only surmise that he is having difficulty doggy-paddling with conviction.
Bob has this reoccurring nightmare. He has mentioned this to Ruth Mondo, whom Bill contacted two months ago after Lucinda combed the personals of the Bainesburg Beacon (circulation 12,852 and climbing). He described in horrifying detail the ground-ivy spiraling around his neck and the silver telephone-pole-crucifix towering above him (an obvious sign, Ruth says, of miscommunication) and the dewlapped German woman shouting, You’re tangled again! and unraveling him and studying his chart during his interruptions (he says he mouthed something to her but you can never hear yourself talk in dreams) and her heavily accented response: Quit asking me! Only the doktor can release you!
In these nightmares Bob feels a certain affinity to his chart. He emphasizes over and over again that there must be some underlying meaning to all of this. Ruth points out that his chart, in such a dreamlike state, could represent an astrological sign—"Are you a Taurus?" Bob doesn’t understand the relevance of such questions. He reminds her that even though it is not his money, she is being paid by the hour. She bases her next comment on the many variations of the same dream. "Or maybe you’re falling into a big black hole." Bob agrees. He told her about the German woman dropping his chart, how he felt the gravitational pull of it swallowing him, the giant whale of a mouth mattress caving in on him, how he panics, how he hinges forward in his sleep in a cold cold sweat, afraid to be alone. Ruth reaches out, touches his wrist, "I know how you feel." She tells him about her husband, they’re separated, he coaches track-and-field, he survived a plane crash, suffered second and third degree burns. "You need to overcome your fears," Ruth says. She hasn’t quite figured out the correct approach. How do you tell someone that twelve years of cleaning tables and trays and mopping floors in a dining area is worth going back to? How do you tell someone that filling orders at a service counter is a fine way to meet other folks, good folks, honest folks? "You’re strategically located," she reminds him.
Thirteen years ago Bob bobbed for apples at the Bainesburg Fighting Burros Halloween Bash. Most kids came up empty, begging for treats. Bob didn’t. He pinned a Delicious Red against the zinc-bottomed tub and brought it to the surface where everyone could clearly see that a chunk had been missing from the other side.
"Disgusting," Bill said. Bill’s Bob’s bestfriend.
Bob cupped his hand around the contaminated fruit before letting it drop to the hay-splattered floor. They smoked marijuana on the north side of the silo with Lynyrd Skynyrd pulsating from the barn. They devoured Snickers, Almond Joys, and yes—Baby Ruths, before meeting LeAnn and Lucinda on the senior class hayride near Jay’s Cider Mill. Back then they filled out placemat applications honoring their dreams of escaping a small-town atmosphere; As luck would have it, New Allen Road became Highway 90 and Old Allen Road morphed into the business loop which, in turn, meant their getaway came to them. But Bill saw the sick Elm trees stretching on the horizon, may I take your order? he’d say, all the while thinking that those trees had to come down. So he bought five reconditioned chainsaws with his savings, attached a magnetic sign to his rusted F-150: "Bill’s Tree Removal Service," and hired a crew. Bob politely turned down Bill’s conditional offer of employment.
Bob bobs below the surface before breathing out, before bobbling-up and chopping at the heavily chlorinated water. He sputters and somehow gets turned around. On the opposite end of the pool, in the four-foot section, senior citizens perform water aerobics under the careful tutelage of Lana Applebaum. Lana’s more Bob’s age than Ruth. Ruth’s eighteen years his senior. It is Lana who notices Bob’s flailing about and yells, "Are you in trouble? Do you need help?" Ruth’s closer, at the downward slope, one foot firmly planted near the jagged, inky black racing line of lane numbers six and seven, her left hand generating a steady undercurrent to help keep her balance, the other hand waving Lana off. "Use the ladder Bob! Behind you!—To the right!—MY RIGHT!"
Bob last visited Bill and Lucinda unannounced. They knew he’d come. He needed advice. "Let me see if I understand," Bob said while Bill poured over his paperwork, "due to the rising cost of my company’s health insurance, I’m no longer eligible for physical therapy?"
"It’s not what you need, Bob." Bill turned away and yelled for Lucinda to come in. Bob saw her from the doorwall, a half-smoked cigarette dangling from the corner of her mouth. She was pushing a gas-powered lawnmower around a little tikes shopping cart and readjusting her halter-top. She turned behind a woodpile, her coiffure barely visible. "The number’s on the fridge!" She yelled.
Bill gave Bob the piece of paper. He said he wished he could do more, but they needed to move farther north and he wished Bob the best of luck in Bainesburg.
Nothing. No response. Just Bob’s drawbridge-neck lowering his unshapely head onto the arm of the couch in time for "Hogan’s Heroes." Bill offered to pay for the personal coach as long as Lucinda didn’t know. Bob quickly agreed as long as Bill set it up. "I’ll try real hard to become more active," he said. "Now if you could pass me the remote, I have a show to watch."
Bob somehow reaches the side and wedges his water-winged arm in the gutter and plants one knee in the inner trough and fans out his hands on the skid-proof tile. Up he goes, his torso meeting the stubbled floor like the forgotten touch of a woman’s unshaven leg. He deflates the water wings and peels them from his arms. Next are the goggles. He tosses them. Then he towels himself off and heads for the locker room where he sees powdered soap all over the mesh locker containing his clothes. He over spins a number on his combination padlock and starts over. He hears movement. He stands perfectly still—waiting. He hears it again—movement. Not wanting to give himself away, he carefully uncradles the lock from his hand and tiptoes toward the bathroom stalls. He sees two callused skeletal feet standing at attention. He swings the door inward revealing a man, his ribs jutting out, his burnt orange nylon running shorts draped over pencil thin thighs. He’s holding something behind his back.
"My name is Yekuno."
"Excuse me?" Bob asks.
"Yekuno. Ye—ku—no."
"Did you just put something all over my locker?"
"No sir."
"Where did you just come from?"
"ee tee OH pee uh."
"Huh?" Bob’s confused. "Ethiopia? I didn’t see you in the pool. Where’s your clothes? Why are you hiding in this stall? What do you have?"
Yekuno moves forward, waves a camera, motions how he ran through the woods and across the field.
Bob blocks Yekuno’s point of egress. "You’re not going anywhere until I get some answers."
Yekuno smiles and snaps a picture. Bob sees hunched shadows appear in the light, disrobing and twisting dripping swimwear. His eyes are shut, he topples over.
"Call 9-1-1," someone yells.
Yekuno seals Bob’s mouth and gives two slow breaths followed by fifteen chest compressions. He knows that the shadows have grown accustom to reviving the dead, but he wonders whether he’s too late, whether he has enough evidence. He knows Bob blacked out.
Bob regains consciousness the moment a big German nurse smacks his bedrail with a clipboard. Then he slips under again when she fiddles with his IV bag. Suddenly Ruth appears, suggests he start biking instead of swimming, so he clicks into a higher gear and starts pedaling. He pumps his legs toward the horizon until they burn. Then he gently applies the brakes, gliding, descending the hill, his huge aerodynamic helmet streamlining the wind. Warm fresh spring air bursts into his lungs. He’s sitting comfortably on a double gel seat. He feels truly free in the Bainesburg business district, glad to be alive, coasting, floating past the bargain shoppers browsing for books at the sidewalk sale off Old Allen Road. Then he chokes on a bug and pulls over to the curb where he coughs up an Emerald Ash Bore. He drops his bike to his ankles. Back when Bill offered Bob the opportunity to work for him these bugs were bad, they were everywhere, they were in abundance. Now though, they seem scarce, if not nonexistent—except for the one draped in spittle on the blacktop next to Bob’s rear tire.
Drew McAllister places his hardcover Kafka book back into a bin and walks over to the disoriented biker. "Are you okay, Bob?" he asks. He’s seen Bob from Lana’s water aerobics classes (his bad back subjects him to low-impact exercises) and he remembers the day Bob blacked out. He also remembers the dark man, that’s how they referred to him; All the senior men saw the dark man and feared an infestation much worst than the Emerald Ash Bore. In fact, even though they were accustomed to seeing someone revive the dead, they were not ready for a change in culture, they were not ready for the influx of folks unlike themselves. Progress be damned, they’d rather flee Bainesburg than live with folks like that. "Someone should say something to Coach Preston," Drew’s neighbor, Boris, says. "It’s okay to run’em on the track, but do they need to live here too. They’re up to no good. DANG, IT’S LIKE A NIGERIAN SCAM!"
Bob regains consciousness long enough to see Ruth’s husband standing over him with a Kodak envelope. He’s demanding answers. "Are you having an affair with my wife? Are you?" Then Bob withdraws once again into his dreamworld where Bill revs up his chainsaw and dismantles the IV stand. You are released, he says. Free to go. Bye-bye Bob, bye-bye. And Bob takes one last look at the Devil’s singed hand unhooking the heart monitor, emancipating him at the ripe old age of 31 to a dark, dark place of comfortable nonconformity.
Yesterday’s post generated an anonymous comment about Jack Kevorkian, a.k.a. Dr. Death, (the word "hell" came up repeatedly) which kind of reminds me of his artwork. From what I’ve heard, Jack’s paintings are like Hieronymus Bosch’s "Garden of Earthly Delights"—fiendish in nature, and twisted for sure. Jack also wrote a book that most critics claim is self-absorbed, ghoulish, and plain bad rambling. Not to be offensive, but does Jack have Alzheimer’s?
Today’s drawing won 1st place at the 2004 Exhibition of Art by Michigan Prisoners (University of Michigan) under the graphite sketch category. I refuse to elaborate on the artist’s criminal past except to say that next to Jack—well … let’s just say Jack would come out looking like our future American hero.
The graphite sketch, with its controlled, calculated lines, definitely defines the artist. He tutored in my GED classroom for approximately 8 years. In fact, he had been tutoring off and on in various prisons since I was in grade school. One of the corrections officer’s stated that this inmate was living his life vicariously through me; man did that send chills down my spine. By some twist of fate, the artist/prisoner in question was transferred to another facility earlier this year.
His artwork, titled "Dark Mattergy," is hanging in my basement office (he donated it and said I could do whatever I wanted with it), so for two years I have been submitting his sketch along with my poem superimposed over it to various literary magazines. I’m not sure if it’s my bad poetry, or his bad sketch, or simply his horrific past, that has made it difficult for me to get it published. Therefore, I leave it up to you to pass judgment. Please, don’t be afraid to criticize, fire away.
Today’s picture isn’t a cut and paste job, instead, it’s created from one of those standard computer programs where you insert your face onto Mount Rushmore or over a famous athlete or astronaut, or in this case, an entire photo supplanted into an old newspaper article.
I chose the Hindenburg. And why not? I’ve never been one to be politically correct or to shy away from controversy, and it seems to me that by using this tragic event, I’m supposed to write something funny. But when is it ever okay to write a comedic piece based on an actual real life catastrophe? The Twin Towers? I think not. Hurricane Katrina? Maybe. Is there a standard amount of time, like when you drop a piece of barbecued chicken on the floor (ten-second rule)? Or how about the recently widowed—when is it okay for them to move on, seek out the companionship of others, date, marry, and … well?—you know.
My take on it is that if the tragedy is personal, something you’ve experienced, then you own it and can do whatever you’d like with it, whenever you feel comfortable. (You may still offend someone, but that’s the risk you take.) Seems therapeutic to me.
"But this doesn’t explain the Hindenburg?" You ask.
No, it doesn’t. I’m not connected to this historical event in any way, shape or form. In this case, I’m guessing that it’s far enough removed from the living so as not to offend anyone. Also, natural disasters and accidents seem much more tolerable than terrorist acts. And I’m not into making fun at the expense of others, no sirree, no smudged newspaper ink here.
I had to get away, simply had to, so I dropped everything I was doing (which wasn’t much) and made the 2-hour trek to my grandmother’s house. It seemed like the most logical thing to do, to go visit someone on house arrest due to an oxygen producing machine and hose. Not that she can’t get out—she had just finished cutting her grass before my arrival—only her portable canisters limit her to eight hour increments maximum.
We had a nice visit. I learned that my dad had been over a day earlier picking cherries, and a pie most certainly awaited me at my parent’s retirement home some fifteen minutes down the road. On the way out, I noticed the Huron Daily Tribune on my grandmother’s kitchen table, particularly an article in the lower right corner. I told her that the parolee arrested in Bad Axe came from the facility where I worked. She, in turn, told me that she knew the family. Wonderful, I thought. Let me recap the article for you as briefly as possible.
The parolee was originally doing time under the "650 Drug-Lifer Law." After a substantial amount of time in prison he was granted a parole. On July 15th of last year he was caught naked as a jay bird in a Holiday Inn Express watching a pornographic video while his partying teenage friends did God-knows-what in an adjacent room. His new charges included: accosting a child for immoral purposes, 3 counts of indecent exposure, 3 counts of selling/furnishing alcohol to a minor, and 1 count of malicious destruction of property.
Well, guess what? After 8 months in the Huron County Jail, our dear troop leader, sorry Boy Scouts of America, had been dismissed of all charges and handed over to the Michigan Department of Corrections for possible parole violations. However, prior to this, while sitting in the hoosegow, our dear friend gained valuable information on a man accused of repeatedly suffocating his blind/diabetic wife. Prosecutors in that case, found his testimony very very helpful. Wonderful. Not only does the MDOC have to deal with an obvious parole violator; they also need to figure out how to protect him. Yee-haw. Perhaps he needs more oxygen to the brain; he's certainly a real tool. Ain’t that right, Mr. Tim-the-Tool-Man-Taylor?